A simple design with materials produced by nature, produces a unique atmosphere in the temple, inspire prayer and reflection on themselves. There are a lot of all kinds of stone, wood, traditional red brick, white plaster. Key Features of the church: the chancel - floor Italian granite Rosa Beta, and the degree of communion and staircase with granite Strzegom Kostrza type. In the nave and sacristy granite imported from northern Italy, and decorative items in the aisles - with brown Swedish granite. The whole construction company has done STYLBUD Richard Kalenik. Ceiling made ​​of pine wood carpenter Tadeusz Pruchniak, benches made of planks of larch - carpenter Gregory Dajnowicz, chandeliers from deer antlers's discharge - Eng. forester Peter Ivanovo. In a central location on the main wall of the chancel is integrated in the severity of stone large wooden cross with carved figure of the Saviour. He made him in July 1983, Edward Szatkowski. Tabernacle installed in the main wall of the chancel was taken by a family Gąsieniców of Zakopane. The whole represents the sun - Jesus Christ ("... and his face shone like the sun, and his garments became white as light" - Mt 17:2), whose rays are intricately decorated with metal flowers made ​​of roses and lilies. In the center are six red beads with a reminder of the six truths of faith. In the chancel of the parish church there is also a statue of St. Rosalie (H 165 cm) carved in oak wood by Edward Szatkowski of Czaplinka. On the side wall of the nave of the church is painted in August 1997 high (2.25 mx 1.35 m) image of the Patroness founded by Daniela Szeflińską, the brush of an artist Wladyslaw Fijałkowski that so that image describes: Character St. Rosalie is centrally located with a slight shift (for reasons of composition) to the left side of the image. Italian type of beauty, warm look, small roses woven into the loose hair, and her hands gently snuggling up to each other flowers of pure white lilies, uwspółcześniają this character, making us closer and make her easy visual contact, and hence - and the spiritual. Emerging from behind St. Rosalie, towering over her and cutting the space of the image recognition of his perspective - CROSS - symbolizes the consecration of our Patroness, the Most High. Just average imagination to see that the background behind St. Rozalia is not a random conglomeration of lighter and darker spots. This light flowing down from the cross and the Holy halo brightening visible here and there (in the left corner and the right side of the image) brunatnooliwkowe the darkness of the cave. St. Rosalie is as if suspended in space above the Monte Pellegrino, which is a hill brighten the walls of her sanctuary. The character of the Holy towering over our chapel, symbolically representing our entire parish, over which she has custody. In the refectory of the rectory we can see three images of St. Rosalie. The oldest (chromolithograph) was donated to the parish by Rozalia Ciupek dn. June 12, 1995 in the library of Fr. pastor Andrew Targosz is the image of St. Rosalie (dimensions: 85 cm x 60 cm) painted on canvas in 1998 by the artist Wladyslaw Fijałkowski. The image is a privately owned as a souvenir for the promoter of the cult of St. Rosalie on the occasion of the 15th anniversary of proboszczowania in her parish. In the composition of the picture - which is unheard of - next to the Holy Hermits in the cave were almost all of the most common attributes related to the life of the Holy Patroness. On the 15th anniversary of the parish were brought relics. Rosalie. In bringing their brokered by Fr. Tadeusz Cichon pastor of Gaubitsch (Austria). Document transfer signed JE Fr. Christopher Schönborn, Archbishop of Vienna. The relics collected by Fr. Tadeusz Cichon September 13, 1997 Maria Roggendorf the hands of JEM. Ks. Cardinal. Hans Hermann Groër. In Krakow commissioned artist goldsmith Mark Ganewowi perform for them a special reliquary - with pure silver. The symbolism of this reliquary is deep and instructive. It has the form of a cross, which our Patroness loved so much and that is why there is always a main attribute on all paintings and sculptures depicting St. Rosalie. Sam cross reliquary (stylized openwork) consists of a very large number of small elements, designed as if to remind: the thorny bushes and various shrubs growing on the mountain slopes. It is a symbol of a hermit living in extremely harsh conditions. In it everything is interwoven with two flowers: rose and lily - as parts of a name ROSALIE. Means: love and mortification (rose) and the innocence and purity (lily). Cross as if their sinuous roots upwards, and at the same time grew out of it. The massif of Monte Pellegrino symbolizes the solid amber. This amber found here on purpose. Recalls that St. Rozalia after 823 years of his death hit the Baltic Sea to the land of ancient amber. On the other hand, gives us some idea of ​​how nature has secured before the destruction of the mortal remains of our Holy Hermits. It closed up on the model of how nature has preserved the ambers different creatures, living many thousands of years ago. Where does the case and begins operation of Providence? Is there really a coincidence? Maybe through a series of apparent cases carry the eternal plan of God? A simple design with materials produced by nature, produces a unique atmosphere in the temple, inspire prayer and reflection on themselves. There are a lot of all kinds of stone, wood, traditional red brick, white plaster. Key Features of the church: the chancel - floor Italian granite Rosa Beta, and the degree of communion and staircase with granite Strzegom Kostrza type. In the nave and sacristy granite imported from northern Italy, and decorative items in the aisles - with brown Swedish granite. The whole construction company has done STYLBUD Richard Kalenik. Ceiling made ​​of pine wood carpenter Tadeusz Pruchniak, benches made of planks of larch - carpenter Gregory Dajnowicz, chandeliers from deer antlers's discharge - Eng. forester Peter Ivanovo. In a central location on the main wall of the chancel is integrated in the severity of stone large wooden cross with carved figure of the Saviour. He made him in July 1983, Edward Szatkowski. Tabernacle installed in the main wall of the chancel was taken by a family Gąsieniców of Zakopane. The whole represents the sun - Jesus Christ ("... and his face shone like the sun, and his garments became white as light" - Mt 17:2), whose rays are intricately decorated with metal flowers made ​​of roses and lilies. In the center are six red beads with a reminder of the six truths of faith. In the chancel of the parish church there is also a statue of St. Rosalie (H 165 cm) carved in oak wood by Edward Szatkowski of Czaplinka. On the side wall of the nave of the church is painted in August 1997 high (2.25 mx 1.35 m) image of the Patroness founded by Daniela Szeflińską, the brush of an artist Wladyslaw Fijałkowski that so that image describes: Character St. Rosalie is centrally located with a slight shift (for reasons of composition) to the left side of the image. Italian type of beauty, warm look, small roses woven into the loose hair, and her hands gently snuggling up to each other flowers of pure white lilies, uwspółcześniają this character, making us closer and make her easy visual contact, and hence - and the spiritual. Emerging from behind St. Rosalie, towering over her and cutting the space of the image recognition of his perspective - CROSS - symbolizes the consecration of our Patroness, the Most High. Just average imagination to see that the background behind St. Rozalia is not a random conglomeration of lighter and darker spots. This light flowing down from the cross and the Holy halo brightening visible here and there (in the left corner and the right side of the image) brunatnooliwkowe the darkness of the cave. St. Rosalie is as if suspended in space above the Monte Pellegrino, which is a hill brighten the walls of her sanctuary. The character of the Holy towering over our chapel, symbolically representing our entire parish, over which she has custody. In the refectory of the rectory we can see three images of St. Rosalie. The oldest (chromolithograph) was donated to the parish by Rozalia Ciupek dn. June 12, 1995 in the library of Fr. pastor Andrew Targosz is the image of St. Rosalie (dimensions: 85 cm x 60 cm) painted on canvas in 1998 by the artist Wladyslaw Fijałkowski. The image is a privately owned as a souvenir for the promoter of the cult of St. Rosalie on the occasion of the 15th anniversary of proboszczowania in her parish. In the composition of the picture - which is unheard of - next to the Holy Hermits in the cave were almost all of the most common attributes related to the life of the Holy Patroness. On the 15th anniversary of the parish were brought relics. Rosalie. In bringing their brokered by Fr. Tadeusz Cichon pastor of Gaubitsch (Austria). Document transfer signed JE Fr. Christopher Schönborn, Archbishop of Vienna. The relics collected by Fr. Tadeusz Cichon September 13, 1997 Maria Roggendorf the hands of JEM. Ks. Cardinal. Hans Hermann Groër. In Krakow commissioned artist goldsmith Mark Ganewowi perform for them a special reliquary - with pure silver. The symbolism of this reliquary is deep and instructive. It has the form of a cross, which our Patroness loved so much and that is why there is always a main attribute on all paintings and sculptures depicting St. Rosalie. Sam cross reliquary (stylized openwork) consists of a very large number of small elements, designed as if to remind: the thorny bushes and various shrubs growing on the mountain slopes. It is a symbol of a hermit living in extremely harsh conditions. In it everything is interwoven with two flowers: rose and lily - as parts of a name ROSALIE. Means: love and mortification (rose) and the innocence and purity (lily). Cross as if their sinuous roots upwards, and at the same time grew out of it. The massif of Monte Pellegrino symbolizes the solid amber. This amber found here on purpose. Recalls that St. Rozalia after 823 years of his death hit the Baltic Sea to the land of ancient amber. On the other hand, gives us some idea of ​​how nature has secured before the destruction of the mortal remains of our Holy Hermits. It closed up on the model of how nature has preserved the ambers different creatures, living many thousands of years ago. Where does the case and begins operation of Providence? Is there really a coincidence? Maybe through a series of apparent cases carry the eternal plan of God?