Open Map
Close Map
N
Projections and Nav Modes
  • Normal View
  • Fisheye View
  • Architectural View
  • Stereographic View
  • Little Planet View
  • Panini View
Click and Drag / QTVR mode
Compartilhe esta panorâmica
For Non-Commercial Use Only
This panorama can be embedded into a non-commercial site at no charge. Leia mais
Do you agree to the Terms & Conditions?
For commercial use, contacte-nos
Embed this Panorama
LarguraAltura
For Non-Commercial Use Only
For commercial use, contacte-nos
LICENSE MODAL

0 Likes

Seyhoun Art Gallery Oct 2014 Jewelry As Sculpture 2 01
Tehran

پرداختن به معقوله جواهر سازی از دیدگاه مجسمه سازی روش نوینی است برای کاربردی کردن مجسمه های پوشیدنی سپس با نگاه مفهومی کردن مجسمه های پوشیدنی واستفاده از سمبل ها و تغیر کاربرد آنها سبب میشود که در نهایت آثار تازه ای با رویکرد نوین شکل بگیرد.

مفهومی شدن آثار آنها را از لحاظ مواد ثشکیل دهنده و زیبایی شناسی دور می سازد تا جایی که مجسمه های پوشیدنی به جایگاهی می رسد که تا کنون به آن پرداخته نشده است. 

فریش البرزکوه

آثار ارائه شده در این نمایشگاه از 14 مجموعه تشکیل شده است.

وجه مشترک این مجموعه ها سادگی فرم ها می باشد که سعی شده است علاوه بر ریشه ایرانی، مدرن بودن فرم را نیز در بر داشته باشد.

هر اثر دارای 7 نسخه خواهد بود که جنسیت هر یک از آنها می تواند علاوه بر نقره و برنز، طلای زرد یا سفید نیز باشد.

امیر موسوی زاده

نمایشگاه حاضر شامل 8 مجموعه در دو بخش می باشد:

بخش اول : با موضوعاتی برگرفته از تاریخ ایران باستان و شاهنامه فردوسی بوده که در ادامه علاقه شخصی هنرمند در بیرون آوردن آیکون های تاریخی و اسطوره ای ایران باستان از لابلای کتاب های به خواب رفته در کتابخانه ها و پوشیدن جواهراتی با این مضامین و همراه بودن آنها در روزمره ما به پاس بزرگداشت تاریخ و تمدن غنی ایران و به خصوص یادآوری و حفظ آثار بزرگ تاریخی همچون آرامگاه کورش بزرگ که در حال نابودی است و شاید در صورت غفلت ما، فرزندان ما فقط تصویری از این آثار را به عنوان ریشه های تمدن آریایی خود داشته باشند.

این بخش دارای پنج مجموعه به نام های : کورش بزرگ، گاوسار، درفش هخامنشی، شیر و رستم و ‌.رستم می باشد.

 بخش دوم : دارای دو مجموعه مستقل با طراحی مدرن می باشد.

در این نمایشگاه علاوه بر مجموعه های فوق، مجموعه ای تحت نام "هفت در هفت در هفت (Triple seven)" نیز ارائه شده است که کار مشترکی از علی و امیر موسوی زاده می باشد.

علی موسوی زاده

Jewelry designing by the application of sculpting methods is a new approach to make the sculpted jewelry wearable and more applicable in our daily lives. Investing more symbolic meanings into these pieces of jewelry and changing their usage will finally result in the formation of aesthetically different works with new raw materials used in their making.

Farish Alborzkouh

This exhibition includes fourteen collections. Their common characteristic is the simplicity of their forms which are both traditionally Iranian and modern.

Each collection consists of seven edition of each work that is made of silver, bronze, platinum or gold.

Amir Mousavizadeh

The present exhibition consists of eight collections in two sections:

Section 1: Focuses on themes from ancient Iranian history and Ferdowsi’s masterpiece, Shāhnām-e. This section is deeply affected by the artist’s interest in exploring historical and mythological Iranian icons from among the old forgotten Persian books. Consequently, using the jewelry made under such influences in our daily lives would be a token of our respect and commemoration of such a rich ancient history and customs and our growing concern over the gradual decimation of some monumental edifices such as Cyrus the Great’s tomb in Persepolis which may finally leave the posterity nothing except a bunch of photos reminding them of their Aryan roots. This section includes five collections namely Cyrus the Great, Gāvsār, Achaemenian Flag, the Lion and Rūstam and Rūstam.

Section 2: Includes two separate collections with a modern design.

Besides these collections, a collaborative work of Ali and Amir Mousavizadeh will be also exhibited under the name of Triple Seven.

Ali Mousavizadeh

نمایشگاه " جواهر در مقام مجسمه 2 " مهر 1393 گالری سیحون

View More »

More About Tehran

Overview and HistoryTehran is the capital of Iran and the largest city in the Middle East, with a population of fifteen million people living under the peaks of the Alborz mountain range.Although archaeological evidence places human activity around Tehran back into the years 6000BC, the city was not mentioned in any writings until much later, in the thirteenth century. It's a relatively new city by Iranian standards.But Tehran was a well-known village in the ninth century. It grew rapidly when its neighboring city, Rhages, was destroyed by Mongolian raiders. Many people fled to Tehran.In the seventeenth century Tehran became home to the rulers of the Safavid Dynasty. This is the period when the wall around the city was first constructed. Tehran became the capital of Iran in 1795 and amazingly fast growth followed over the next two hundred years.The recent history of Tehran saw construction of apartment complexes and wide avenues in place of the old Persian gardens, to the detriment of the city's cultural history.The city at present is laid out in two general parts. Northern Tehran is more cosmopolitan and expensive, southern Tehran is cheaper and gets the name "downtown."Getting ThereMehrabad airport is the original one which is currently in the process of being replaced by Imam Khomeini International Airport. The new one is farther away from the city but it now receives all the international traffic, so allow an extra hour to get there or back.TransportationTehran driving can be a wild free-for-all like some South American cities, so get ready for shared taxis, confusing bus routes and a brand new shiny metro system to make it all better. To be fair, there is a great highway system here.The metro has four lines, tickets cost 2000IR, and they have segregated cars. The women-only carriages are the last two at the end, FYI.Taxis come in two flavors, shared and private. Private taxis are more expensive but easier to manage for the visiting traveler. Tehran has a mean rush hour starting at seven AM and lasting until 8PM in its evening version. Solution? Motorcycle taxis! They cut through the traffic and any spare nerves you might have left.People and CultureMore than sixty percent of Tehranis were born outside of the city, making it as ethnically and linguistically diverse as the country itself. Tehran is the most secular and liberal city in Iran and as such it attracts students from all over the country.Things to do, RecommendationsTake the metro to the Tehran Bazaar at the stop "Panzda Gordad". There you can find anything and everything -- shoes, clothes, food, gold, machines and more. Just for the sight of it alone you should take a trip there.If you like being outside, go to Darband and drink tea in a traditional setting. Tehranis love a good picnic and there are plenty of parks to enjoy. Try Mellat park on a friday (fridays are public holidays), or maybe Park Daneshjou, Saaii or Jamshidieh.Remember to go upstairs and have a look around, always always always! The Azadi Tower should fit the bill; it was constructed to commemorate the 2500th anniversary of the Persian Empire.Tehran is also full of museums such as:the Contemporary Art Museumthe Abghine Musuem (glass works)the 19th century Golestan Royal Palace museumthe museum of carpets (!!!)Reza Abbasi Museum of extraordinary miniaturesand most stunning of all,the Crown Jewels Museum which holds the largest pink diamond in the world and many other jaw-dropping jewels.Text by Steve Smith.


It looks like you’re creating an order.
If you have any questions before you checkout, just let us know at info@360cities.net and we’ll get right back to you.