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TOBIAS REHBERGER “Something Else is Possible” @ Oku-Noto Triennale 2020+
Japan

Something Else is Possible

The work stands where the road cuts off the old train tracks, like a rolling wave of changing colors. When viewers walk to the end of the path and look through the binoculars, they will see messages from the artist beyond Takojima Station, the terminal station of the former Noto Railway. You can see the former destination from the site of the railroad tracks and look beyond the scenery to a vision of the future.

Tobias Rehberger

Born in 1966 in Esslingen am Neckar, Germany.

For twenty years now, he has been working on a consistent body of work in which he undermines artistic ideals such as genius and authenticity. Using strategies from the realm of design, Tobias Rehberger examines the meaning of art and what the future possibilities for art production are. Rehberger’s artwork for the Venice Biennale of 2003 consisted of 222 glass lamps activated by triggers located in seven different locations around the world, established an alternative relation between the artist and audience. Rehberger has been extending the horizon of art as represented by “Fichte” (2003, Echigo-Tsumari Art Triennale, Niigata), “Was du liebst, bring dich auch zum weinen (japanese franchise version)” (2010, Teshima Island, Japan) as well as through collaborations with other artists such as Douglas Gordon.Major projects and exhibitions include The 50th and 53rd Venice Biennale (2003 and 2009, Italy), Echigo-Tsumari Art Triennale 2003 (Niigata, Japan), Setouchi Triennale 2010 (Teshima, Japan), Yokohama Triennale 2011 (Yokohama, Japan), and “Home and Away and Outside” (2014, Schirn Kunsthalle, Frankfurt, Germany). In 2009 Rehberger has received the Hans Thoma Prize and The Golden Lion at Venice Biennale.

Oku-Noto Triennale 2020+

Duration September 4th(Sat)-October 24th(Sun) 2021, 51 days

Feel the power of art at “the furthest edge of the world.”

Suzu City is located in the center of the Japanese archipelago, at the tip of the Noto Peninsula, jutting out into the Japan Sea. The natural beauty of its satoyama and satoumi has remained to this day. We are blessed with an abundance of good food, and above all, wondeful resident people.

The spread of the novel coronavirus had a major impact on society and economies worldwide, and it was inevitable that the Oku-Noto Triennale postpone for one year. We have been preparing for the Oku-Noto Triennale2020+ in hopes that it will be an opportunity to reconnect divided countries and people.

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Copyright: Natsutoshi Nomoto
Type: Spherical
Resolution: 32536x16268
Taken: 15/10/2021
Uploaded: 26/10/2021
Published: 27/10/2021
Visitas:

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Tags: art; event; exhibition; architecture; railroad; installation; telescope; colors
More About Japan

The eight islands of Japan sprang into existence through Divine Intervention.The first two gods who came into existence were Izanagi no Mikoto and Izanami no Mikoto, the Exalted Male and Exalted Female. It was their job to make the land for people to live on.They went to the bridge between heaven and earth and, using a jewel-encrusted halberd, Izanagi and Izanami churned up the sea into a frothy foam. As salty drips of water fell from the tip of the halberd the first island was formed. Its name was Onogoro.So far, so good. But when Izanagi and Izanami first met on their island, Izanami spoke to Isanagi without being spoken to first. Since she was the female, and this was improper, their first union created badly-formed offspring who were sent off into the sea in boats.The next time they met, Izanagi was sure to speak first, ensuring the proper rules were followed, and this time they produced eight children, which became the islands of Japan.I'm sure you did not fail to miss the significance of this myth for the establishment of Japanese formal society.At present, Japan is the financial capital of Asia. It has the second largest economy in the world and the largest metropolitan area (Tokyo.)Technically there are three thousand islands making up the Japanese archipelago. Izanagi and Izanami must have been busy little devils with their jewelled halberd...Japan's culture is highly technical and organized. Everything sparkles and swooshes on silent, miniaturized mechanisms.They're a world leader in robotics, and the Japanese have the longest life-expectancy on earth.Text by Steve Smith.


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