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هر وقت بخواهید کسی را به خاطر بیاورید احتمالن نه صورت او که خاطره ی او را در ذهن مجسم می کنید.نقاشی از پرتره ها چند سالی دلمشغولی من بوده است اما از یک جایی به بعد تمرکز بر وجه شکلی صورت ها و مخصوصا نسبت واقعگرایانه شان با عکس و ثانوی قلمداد شدن قصد و نیت من از آنها آزارم می داد ؛ در نتیجه دو سال گذشته را به انحا مختلف به آزمودن وجوهی از پرتره سازی گذرانده ام ، مجموعه ی حاضر را نیز نوعی از پرتره سازی اما این بار با رمزگان خودم قلمداد می کنم . این بار برای نشان دادن علاقه ام به آن پرتره ها از تداعی معانی استفاده کرده ام، هر کدام از این بسته بندی ها نوعی تجلیل مناسکی از آدمی هایی ست که نیستند - یا نمی توانم یا نمی شود به راحتی درباره ی نبودنشان- حرف زد . همین وضعیت فقدان باعث می شود که بعضی از این بسته های خاطره ، یادآور سنگ های قبری باشند که با گل ها آراسته می شوند ، در این خصوص هم از ابتدا قصه مشخصی نداشته ام ولی من یاد هیچ کس را با دریغ گرامی نمی دارم، مردگان تجسم زنده ی زندگان هستند و این تمام دلگرمی ما از دلتنگی ست ؛ بیش از این توضیح درباره ی نقاشی هایم برایم مقدور نیست فقط می دانم این پرتره ها در ادامه ی همان مسیر چند سال قبل هستند.
حسین تمجید
Every time you decide to remember someone, you may remember the memories of him/her more than his/her face.
I’ve been involved with making portraits for some couple of years. Despite the interesting parts of portraiture for me, it was annoying when I realized about my concentration on its morphology. In other words, I didn’t like to lose the concept of making portraits. As the consequence, I started to have several experiments on different aspects of portraiture-especially in the last two years.
It is showing another experience in my latest project -by a distinguished attitude- that contains my own signs. In this project, I’ve used the concept of semantic associations that -in my idea-they can indicate my deep interest to the portraits. There are some packages of memories in the present series that are associated with ceremonies held for people who are not around anymore, or, of the ones I cannot talk about their absence easily or maybe talking of them would be forbidden somehow. This situation of absence make my packages as tombstones decorated by some flowers while I don’t believe in any hesitate in order to appreciate departed people.
By the way, I prefer not to talk more than this about my works because there are no specific stories behind them except continuing the way I’ve started sometimes ago.
Hossein Tamjid
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Overview and HistoryTehran is the capital of Iran and the largest city in the Middle East, with a population of fifteen million people living under the peaks of the Alborz mountain range.Although archaeological evidence places human activity around Tehran back into the years 6000BC, the city was not mentioned in any writings until much later, in the thirteenth century. It's a relatively new city by Iranian standards.But Tehran was a well-known village in the ninth century. It grew rapidly when its neighboring city, Rhages, was destroyed by Mongolian raiders. Many people fled to Tehran.In the seventeenth century Tehran became home to the rulers of the Safavid Dynasty. This is the period when the wall around the city was first constructed. Tehran became the capital of Iran in 1795 and amazingly fast growth followed over the next two hundred years.The recent history of Tehran saw construction of apartment complexes and wide avenues in place of the old Persian gardens, to the detriment of the city's cultural history.The city at present is laid out in two general parts. Northern Tehran is more cosmopolitan and expensive, southern Tehran is cheaper and gets the name "downtown."Getting ThereMehrabad airport is the original one which is currently in the process of being replaced by Imam Khomeini International Airport. The new one is farther away from the city but it now receives all the international traffic, so allow an extra hour to get there or back.TransportationTehran driving can be a wild free-for-all like some South American cities, so get ready for shared taxis, confusing bus routes and a brand new shiny metro system to make it all better. To be fair, there is a great highway system here.The metro has four lines, tickets cost 2000IR, and they have segregated cars. The women-only carriages are the last two at the end, FYI.Taxis come in two flavors, shared and private. Private taxis are more expensive but easier to manage for the visiting traveler. Tehran has a mean rush hour starting at seven AM and lasting until 8PM in its evening version. Solution? Motorcycle taxis! They cut through the traffic and any spare nerves you might have left.People and CultureMore than sixty percent of Tehranis were born outside of the city, making it as ethnically and linguistically diverse as the country itself. Tehran is the most secular and liberal city in Iran and as such it attracts students from all over the country.Things to do, RecommendationsTake the metro to the Tehran Bazaar at the stop "Panzda Gordad". There you can find anything and everything -- shoes, clothes, food, gold, machines and more. Just for the sight of it alone you should take a trip there.If you like being outside, go to Darband and drink tea in a traditional setting. Tehranis love a good picnic and there are plenty of parks to enjoy. Try Mellat park on a friday (fridays are public holidays), or maybe Park Daneshjou, Saaii or Jamshidieh.Remember to go upstairs and have a look around, always always always! The Azadi Tower should fit the bill; it was constructed to commemorate the 2500th anniversary of the Persian Empire.Tehran is also full of museums such as:the Contemporary Art Museumthe Abghine Musuem (glass works)the 19th century Golestan Royal Palace museumthe museum of carpets (!!!)Reza Abbasi Museum of extraordinary miniaturesand most stunning of all,the Crown Jewels Museum which holds the largest pink diamond in the world and many other jaw-dropping jewels.Text by Steve Smith.