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Expert
Paul Keating

Redboat Photography (www.redboatphoto.com) provides bespoke digital imaging solutions for business to enable organisations to promote their products, services and people and to boost the impact of marketing investment through exclusive and contemporary photography.

Established in 2008 by Paul Keating, Redboat Photography brings together 25 years of photographic skills, including 9 years of commercial and project management experience into a creative digital imaging and media led-business that brings personality and impact to the promotion of professional services, e-commerce and creative businesses.

Redboat Photography specialises in serving the commercial business sector, as well as providing high-end personal commissions. All our premium quality digital images are individually tailored to client and subject. We produce portraiture, PR images, product shots, 360° VR tours, large format panoramic images, web images, event coverage, promotional material, office and home artwork, and company branding. As well as offering direct commissioned work to businesses, we also provide complementary services to the web design, web development, graphic design and PR industries.

Expert
James L. Tanner

 

I have been involved in photography since I was 8 years old and in computer graphic design for the past 35 years. My company is PhotoArizona360. I specialize in 360 degree and wide angle panoramas in Arizona and surrounding states. I am available for consultation about building an online graphic presence with the use of dynamic 360 views.

I have more than forty years' experience in law, computers and over forty years experience as a research genealogist. I presently serve as a volunteer at the Mesa Regional Family History Center in Mesa, Arizona where I alternate between helping patrons and teaching classes. I am most interested in the technological aspects of genealogical research because of my strong technology background. My own family were pioneers who settled in Utah and Arizona in the 1800s. My family dates back to the Mayflower and with the exception of one Great-great-grandfather who came from Denmark, my family all came from England, Ireland, Scotland and Wales.

 

James O. Phelps

The images you see here are the result of an interest in panoramic photography that goes back over 35 years. As a student in the School of Architecture at the University of Minnesota, one often began a project by going out to a hypothetical building site with a 35mm camera and taking a series of sequential snapshots. Then, back at the studio, with a little scotch tape and the exercise of an ability not exceeding that of laying dominoes end to end, a panorama would emerge.

After two decades of dealing with real buildings on real sights, vacations to exotic places, scotch tape, exacto blades, band aids and some unsatisfactory experiments with early stitching software, I began to look at the real thing. I began to research real panoramic cameras. In 1996 I took my first true panoramic photograph with the Hulcherama Panoramic Camera. This first effort was a bewildering 360° blur of trees and boulders near Devil's Den on The Gettysburg National Battlefield, but it was the start. Subsequently, I honed a tenuous professionalism with this subtle, high-strung camera which, when it was good, was very, very good indeed.

The panoramas displayed on this page were taken with either the Hulcher or more recently, as digital technology superseded analogue, the GigaPan system. Initially, I was going to be the new interpreter of the American Civil War, a sort of historical messiah laying open heretofore unknown truths about truly historic landscapes where the fate of a divided union was played out, if play is the word. I've taken dozens of panoramas of the Gettysburg and Antietam battlefields and many others. Over the years I have expanded my portfolio to several other subjects and landscapes of interest.

You may notice that these panoramas are all cylindrical projections. Not spherical. I made this choice early on. My final work is entirely a traditional two dimensional medium...the photographic print. Although the viewing of spherical panoramas is a fascinating and informative experience, the ability to see the entire 360 degree field of vision at once in a single, unrolled, flat photographic image allows compositional and graphic advantages unavailable from a purely rotational viewing system. In fact, it's an experience not even an on-site presence will allow. You may see how I compose, print and frame the final 360 degree images in full format on my website

jamesophelps.com

I'm always interested in hearing from people interested in panoramas. You can reach me at

jamesophelps@jamesophelps.com

Sincerely,

James O. Phelps